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Leap, Spring / Summer 2025

The Power of Giving

The feature page, A Legacy of Hope: John Sexsmith in a brown suede jacket against a white wall, and seated in the atrium below

Ryan Parker photographed John Sexsmith for the cover of Leap, the Alberta Cancer Foundation’s magazine, in its Spring / Summer 2025 issue, and for A Legacy of Hope, the one-page feature inside.

The story

A Legacy of Hope

John Sexsmith, a former Global TV sports anchor, had 35 years in journalism behind him when he joined the Alberta Cancer Foundation’s legacy giving team in 2023. Diagnosed with prostate cancer in 2012, he had surgery and radiation at the Cross Cancer Institute, and a sense of debt to his care team drew him to the Foundation. He looks after over 300 donors, most of them survivors or family members, who give through wills, life insurance and retirement funds. His cancer returned in 2024, and he was in chemotherapy at the Cross when the story ran.

Magazine
Leap, the Alberta Cancer Foundation
Issue
Spring / Summer 2025
Section
Game Changer
Cover line
The Power of Giving
Ran as
The cover, and a one-page feature
Words
Alex Rettie
Art direction
Veronica Cowan
Photographs
Ryan Parker

As printed

The cover, and the pages.

  1. 01Leap, Spring / Summer 2025

    Leap magazine, Spring / Summer 2025: the cover, John Sexsmith in a dark jacket and glasses, seated
    The feature page, A Legacy of Hope: John Sexsmith in a brown suede jacket against a white wall, and seated in the atrium below

The frames

The photographs, before the type.

  1. 01The photographs

    John Sexsmith seated in a bright atrium, hands folded, the tall windows behind him
    The same setup, wider: the chair, the slatted wall and the windows
    John Sexsmith in a brown suede jacket against a white wall, the light falling across him
    Closer, against the same wall, his head tipped
    Full length against the wall, a hand in his pocket
    Laughing, the jacket open over a striped shirt

How it got made

Two sittings with John.

I watched John on the news as a teenager, so having him in my studio was a little surreal. We did two sittings: close, straight-on portraits in the studio, then a few days later his desk at the Cross and the front atrium. We spent a long time together. He talked to me about coaching and about his kids, and he was one of the happiest people I’ve had in front of my camera, with a huge heart.

John died in October 2025. I’m grateful for the time I got with him.

← Edify, May 2024  ·  Leap, Spring 2020 →

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