

Ryan Parker photographed Sam Jenkins for the cover of Edify’s May 2024 Innovation Issue and for its feature Due Process, and three of the people behind Nanostics for Data-Driven Diagnosis in the same issue.
The story
Due Process
Jenkins is managing partner of the consulting firm Punchcard Systems and CEO of Standard Field Systems, an Edmonton startup that has moved the roadside sobriety test police give suspected impaired drivers from pen and paper to a mobile app. Developed with help from Edmonton Police Service traffic officers, the app keeps every test consistent. York Regional Police in Ontario became its first customer in June 2023.
Data-Driven Diagnosis profiles Nanostics and ClarityDX Prostate, a test that combines machine learning, blood biomarkers and Alberta health data to predict aggressive prostate cancer and may spare patients a painful biopsy. It ran with portraits of chief commercialization officer Colin Coros, co-founder Robert Paproski and chief scientific officer Desmond Pink.
On the issue’s contributors page, Ryan Parker noted that affordable, high-powered LED lights and a mirrorless camera made it easier to land the yellow circle on Jenkins’s face, a look that had taken great effort with strobes.
- Magazine
- Edify
- Issue
- May 2024
- Cover line
- The Future Is Now
- Ran as
- The cover, the contents and contributors pages, Due Process across three pages, and Data-Driven Diagnosis across four pages
- Words
- Eliza Barlow (Due Process), Jesse Cole (Data-Driven Diagnosis)
- Art direction
- Kim Larson
- Photographs
- Ryan Parker
As printed
The cover, and the pages.
01Edify, May 2024








The frames
The photographs, before the type.
01The photographs









How it got made
The brief, the room, the frame.
I’d done this look once before, for an actor’s publicist during COVID. That time it was strobes: a spotlight with a gobo and a gel, where you can’t see what the light is doing until it fires, and the smallest move of the light changes everything.
For Edify’s innovation issue Kim wanted dots for Sam and a gradient for the Nanostics founders. I tested between other shoots and sent Kim the options, and we went with yellow dots on pink: more contrast and punch. This time I used a continuous LED spotlight and a mirrorless camera, so Sam could see the yellow circle and line it up on his face himself. That ease made the studio more playful, which almost always gives better pictures.
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