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Edify, November / December 2026

Top 40 Under 40

Fifteen of the 2026 class in a grid, head and shoulders, each against their own colour

Ryan Parker photographed fifteen of the 40 honourees in Edify’s 2026 Top 40 Under 40, in the November / December issue: a page each, and Ian Smith again on the contents page.

The story

Why they’re Top 40

Top 40 Under 40 is Edify’s yearly class of 40. Each honouree gets a page, and each page carries one line on why they made the list.

The fifteen here: Stella Igweamaka, who uses research to find gaps and improve policies for people and communities; Egiroh Omene, who treats glioblastoma and shapes neuro-oncology practice while mentoring the next generation; Eniola Salami, a family doctor who founded the Black health program at the U of A; Heather Armstrong, an associate professor of medicine at the U of A studying diet, the gut microbiome and inflammatory bowel disease; Karly Watson, whose photography has been published around the world, with a deep love for Edmonton at the heart of it; Jeremy Weleff, who is pioneering a recovery program for methamphetamine use disorder; Ian Smith, who founded the Edmonton Regional Defence Alliance; Alyshah Nurani, who has given her career to health-care operations, governance and community leadership; Caitlin Earle, who founded a neuropsychiatry clinic for patients who can fall through the gaps; Marlos Cholodovskis Machado, whose work has helped shape research in reinforcement learning; Akanksha Bhatnagar, a communicator who believes democracy works only when everyone can access it; Kyle Sue-Milne, a physician, researcher and advocate breaking down barriers between specialists and provinces; Kimberley Shuya, who works on large-scale strategic initiatives; Christine Lee, who leads field trips for planners and developers to help revitalize Edmonton’s Chinatown; and Andrea Luft, who supports kids with heart conditions and helps people through complex legal disputes.

Magazine
Edify
Issue
November / December 2026
Ran as
Fifteen single pages, one per honouree, and the contents page
Words
Caroline Barlott, Colleen Biondi, Richard Cairney, Caitlin Crawshaw, Kristina Felker, Caitlin Hart, Breanna Mroczek, Mifi Purvis, Ben Roth
Art direction
Kim Larson
Photographs
Ryan Parker

As printed

The cover, and the pages.

  1. 01Edify, November / December 2026

    The contents page: Ian Smith in a dark suit, hands against a bar of light on a lilac wall
    Stella Igweamaka’s page
    Egiroh Omene’s page
    Eniola Salami’s page
    Heather Armstrong’s page
    Karly Watson’s page
    Jeremy Weleff’s page
    Ian Smith’s page
    Alyshah Nurani’s page
    Caitlin Earle’s page
    Marlos Cholodovskis Machado’s page
    Akanksha Bhatnagar’s page
    Kyle Sue-Milne’s page
    Kimberley Shuya’s page
    Christine Lee’s page
    Andrea Luft’s page

How it got made

The brief, the room, the frame.

Kim’s email came in July: “It’s the MOST wonderful time of the year. TOP 40.” Booking was bonkers this year. Everyone wanted their own date and time, a few moved theirs three times, and Kim warned us it was going to be hot and long. I photographed my fifteen in the studio over three days in August, plus Egiroh on his own in September. Calvin Alexander did hair and makeup on the Wednesday and Friday, and Emily Phung on the Thursday.

The look took a few rounds with Kim before we landed on it. The ask was fun, clean and professional, and it had to pop. I came back with my spotlight, which has shutters built into it and a 36-degree lens, so I could cut the light into a box, a circle, a slit, a play button or a single shaft behind each person. Then I filled the shadows with colour from a couple of colour-changing light bars, sometimes matching what they wore, sometimes complementing it and sometimes going right against it.

By the end of day two I was running out of shapes to keep it different. We tried slipping something firm into the light to cut a new one, and it started smoking out of the lens straight away, so that came right back out. My wife found the answer: thin copper sheeting from when she used to make jewellery. We cut shapes into it and used those homemade gobos on the last day for more variety.

Kim picked her favourites from the proofing gallery. I’m really proud of how they turned out. Everyone looks great, the expressions are compelling, and what’s built around them is fun. It’s exactly what the ask was.

My wife cutting a new shape into a disc of copper sheeting.
A metal disc with a grid of small windows cut into it, held up in the studio
One of the discs. The light only gets through where it’s cut away.
A curved shape of light thrown across the studio wall and floor
What the spotlight throws: a shape across the studio wall and floor.

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