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Edify, June 2026

6 Who Inspire

The spread for Bob and Barbara Walker: the two of them together, the cloth open behind
The spread for Bob and Barbara Walker: the two of them together, the cloth open behind

Ryan Parker photographed Bob and Barbara Walker, Bill Smith, Jill Fenton, Daniel W. Yeung and Sine Chadi for 6 Who Inspire, a set of profiles that ran in Edify’s June 2026 issue.

The story

6 Who Inspire

It profiles six people, aged 66 to 91, who have spent decades giving back. Bob Walker managed construction of city hall and the Royal Alberta Museum and co-founded the Alberta Immigrant Women & Children Centre; Barbara taught for 25 years and led the Compassion House Foundation. Bill Smith played football in Edmonton before serving three terms as mayor. Jill Fenton was principal of a school in Kigali and started Tools for Schools in rural Rwanda, Daniel W. Yeung built Universal Dental Laboratories and mentors new technologists, and Sine Chadi, an entrepreneur and former MLA, has helped hundreds get started.

Magazine
Edify
Issue
June 2026
Ran as
The opening page, and four two-page spreads
Words
Mariana Gutierrez Serna, Ben Roth, Alyssa Noel and Isabela Varela
Art direction
Kim Larson
Photographs
Ryan Parker

As printed

The cover, and the pages.

  1. 01Edify, June 2026

    The opening page: 6 Who Inspire, a figure under a sweep of black cloth, the six names listed beneath
    The spread for Bob and Barbara Walker: the two of them together, the cloth open behind
    The spread for Bill Smith and Jill Fenton
    The spread for Daniel W. Yeung, the cloth carried the width of the page
    The spread for Sine Chadi

The frames

The photographs, before the type.

  1. 01The photographs

    Black and white: a man holding the cloth wide, caught mid fall
    The same sitter, the cloth higher and further open
    A woman in the cloth, one arm out, the fabric curling above her
    A man with the cloth thrown across the frame behind him
    The same sitter, the cloth settling
    Two sitters together, the cloth spread between and above them
    A man standing in a full sweep of cloth, arms wide

How it got made

The brief, the room, the frame.

Kim’s references were Vanity Fair fabric photographs and dancers, where the subject does the work with the fabric. The six we were photographing were 66 to 91, so I needed a way to bring that energy without making them the ones throwing it. At the fabric store I went looking for the lightest white I could find, saw black beside it and grabbed that too, just in case. We needed the room of my big white wall, and against it the white just didn’t carry the motion Kim’s references had.

So we went to the black. Two industrial fans on the floor blew it upward, and all the sitters had to do was hold it. Kim, Tiiu and I held the edges out of frame, let go at different moments and watched what shapes we could get. It was a really fun, playful shoot, which was exactly what we wanted.

Below is me testing it on myself, with each frame from the camera lined up to the moment the flash fired.

The whole test, about seven minutes: my phone’s video on the left, and on the right each frame from the camera as the flash fires.

← Canadian Lawyer, Top 25 Most Influential Lawyers, 2022  ·  Edify, July / August 2025 →

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