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Edify, March 2025

The Galloping Gourmet

The opening spread, The Galloping Gourmet: the chef seated behind a television, his initials on the screen
The opening spread, The Galloping Gourmet: the chef seated behind a television, his initials on the screen

Ryan Parker photographed Cree chef Shane Chartrand for The Galloping Gourmet, a feature in Edify’s March 2025 issue on his run on Top Chef Canada and his Indigenous cooking.

The story

The Galloping Gourmet

Chartrand, already a familiar name in Edmonton kitchens, competed on Season 11 of Top Chef Canada, cooking with prairie and Indigenous ingredients such as reindeer lichen, elk and bear grease. Afterward he opened Paperbirch, an Indigenous culinary hub in the Old Strathcona Farmers’ Market, and he judged the magazine’s Best Restaurants that year. His cooking has also taken him abroad, including to the COP 27 climate conference in Egypt.

Magazine
Edify
Issue
March 2025
Ran as
The contents page, and the feature across two spreads
Words
Breanna Mroczek
Art direction
Kim Larson
Photographs
Ryan Parker

As printed

The cover, and the pages.

  1. 01Edify, March 2025

    The contents page, the chef in a circular crop beside the listing
    The opening spread, The Galloping Gourmet: the chef seated behind a television, his initials on the screen
    The second spread: the chef leaning on a white counter, a pull quote alongside

The frames

The photographs, before the type.

  1. 01The photographs

    The frame the spread ran: the chef behind the television, arms folded, his initials on the screen
    The same setup, a different sit
    Wider, the television low in the frame and the grey running out either side
    Seated on the television, hands together
    Standing beside it, an apron over a dark shirt
    Leaning on the counter, mid laugh
    At the counter, arms crossed in front of him
    The same, looking away from the lens
    A closer portrait against the studio grey
    Another close frame, the light kept low and to one side
    Standing square to the camera
    The first of the day, before the television came into it

How it got made

The brief, the room, the frame.

Kim’s idea was to play up Shane’s television side: playful, mischievous and some serious. There’s an old tube TV in my studio that I’d had for a while and always wanted to shoot on, and this seemed like the one. I offered it as something for Shane to sit or stand on and sent Kim tests that morning. “That tv is a classic,” she said. We had Shane in front of the camera for under an hour.

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